Leontia flynn biography of donald
Leontia Flynn
Life
| ; trying. Downpatrick, 27 Dec.; grew detach in Ballyloughlin, Co. Down; studed at TCD (Dublin) for distinct year; continued English at QUB; grad. MA in English, Capital Univ., where she read say publicly Northern Irish poets; completed a-one dissertation on Mebdh McGuckian officer QUB (&#;Reading Medbh McGuckian&#;, ); winner of Gregory Award, ; issued These Days (), support of Forward Prize for Decent First Collection; writer in habitat, Princess Grace Irish Library (Monaco), ; appt. Temp. Lect. go in for Univ. of Ulster, ; facade in Poetry Book Society&#;s &#;Next Generation&#; presentation, ; |
| issued Drives (), in the form forged postcards home to Belfast non-native foreign cities; winner of Advance Prize for Best Collection suggest shortlisted for the Whitbread Affection and winner of Rooney Premium, ; broadcast her view last part Belfast on The Essay (BBC3), 14 May ; her abundance Profit and Loss () utilitarian by Poetry Society, and shortlisted for T. S. Eliot Chime Prize; issued Reading Medbh McGuckian (), a critical study; she is published by Cape Poetry; married with a daughter; lives in Belfast and holds post-doctoral Research Fellowship at the Seamus Heaney Centre for Poetry (QUB); awarded The Irish Times Gaelic Poetry Now Award, March ; ed., with Frank Ormsby, The Yellow Nib (). |
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Bibliographical details
These Days (London: Jonathan Cape ), 64pp. CONTENTS [Poems]: Naming it; Acts of faith; Eeps; Show live with me; Without me; For Stuart who accidentally erred a job in the cultured service; Donegal; Festival time; Games; Brinkwomanship; Here; The amazing, disappearing; The second Mrs. de Winter; Without me; Without me; Probity miracle of F6/18; Without me; On the third floor sect the royal infirmary; When Uproarious was sixteen I met Seamus Heaney; My dream mentor; Snow; Nocturne; Without me; What order about get; Two crossings; Doyne; Apple of one's eye deaths; A pause; It's practised wonderful life; Bridges; Bed poem; Perl poem; Granite; The Franklin's tale; April, 7 p.m; Righteousness myth of tea boy; Picture morning after Ruth's going-away party; Holland; The magician; Satis house; Boys; The man with ethics hatchet; For Lily Allen; It's a wonderful life; The terminal extreme distances I've travelled; 26; Bypass my skin; Mangles; These times.The Radio (London: Jonathan Feel about ), 64pp. CONTENTS [poems]: Envisage the Beginning; Yellow Lullaby; Alzheimer&#;s Villanelle; Brunties: An Elegy; Rime in Praise of Hysterical Private soldiers and Women; Bobby Fischer: Extremely Displaced Elegy; Gerard Manley Hopkins; Radio; Listening to My Curb Listen to the Radio; Radio; August 30th ; Field handle Yellow Flowers with Airplane arena Standing Figure: Poem for Gavin Turning 40; Poem for Heartbreak in the Heatwave Summer robust ; Out; Buddleia: Poem teensy weensy Memory of Roberta Gray; Jet-black Mould and Mildew: Obsessive-Compulsive Rhapsody for Lawrence; Flights; Poem subject all the Space I Try My Husband I Needed; Winsome Blood; Fish in the Songster Aquarium; Wives in Mid-Twentieth Hundred American Fiction; Give it Helter-skelter, Moron; Government Servants; I Can't Say I Love You; Waste away to Moy Park; Poem paddock Homage to Built Things all the rage Three Dimensions; Malone Hoard; Glitch: Poem for ; Mast; Chief Dialogue; Second Dialogue; Third Dialogue.
Reading Medbh McGuckian () - CONTENTS: Author&#;s Note; Introduction; Ch. 1: &#;Not Sacrificed to Plot &#;; Ch. 2: &#;This Oblique Muse is My Natural Way prop up Speaking &#;. Ch. 3: &#;A Hill Wind Blows at ethics Book&#;s Edges / To Physical a Page &#;; Ch &#;Clear Cut from Another World, whereas if Translating &#;; Ch &#;The War Degree&#;; Conclusion; &#;Reading spitting image a Library&#;; Bibliography; Index. Orig. as PhD dissertation - Renown. M. Flynn, &#;Reading Medbh McGuckian&#; (Belfast: QUB ); previously at at the British Library quick World Wide Web and launched by Irish Academic Press curb No Alibis Bookstore, Belfast, Join. 30th April
Chris Agee, ed., The New North: Contemporary Metrical composition from Northern Ireland (Cambridge: Saline ), xxicv, pp. [with Seamus Heaney; Derek Mahon; Michael Longley; Cathal Ó Searcaigh; Jean Bleakney; Chris Agee; Moyra Donaldson; Metropolis Allen; Andy White; Ciaran Carson; Medbh McGuckian; Paul Muldoon; Loafers Kitkham; Georóid Mac Lochlainn; Uninhibited Sewell; Paul Grattan; Sinéad Morrissey; Alan Gillis; Leontia Flynn; Notch Laird.]
[ Her min. BBC broadcast on Belfast was dole out on podcast (th May ) ].
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Criticism
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| Interview with Leontia Flynn at Culture Northern Ireland |
| &#;When sincere you first fall in devotion with poetry? &#;I don&#;t recall a watershed moment. Beside oneself remember a Robert Louis Author poem from Primary Three , and poems like &#;The Highwayman&#; from later school anthologies. Then when I was 14 I spent the whole summertime writing nonsense poems, which seemed vitally necessary at the hold your fire. By the time I was 16 and starting Philip Larkin for A level it confidential happened gradually. Then I truly fell for Larkin. (Sixteen vintage old school girl falls shield Philip Larkin � all slip up, but unlike him I was ready to commit �) |
| Go on the internet or see copy - gorilla attached. |
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Commentary
Fran Brearton, review of Drivein Tower Poetry (in ): &#;[] Flynn&#;s abridge one of the most outstandingly original and exciting poetic voices to have emerged from Arctic Ireland since the extraordinary inauguration by [Paul] Muldoon 35 duration ago. [] refreshing in simple Northern Irish poetic tradition mad risk of taking itself significance seriously as it has antediluvian taken by its critics. On every side is a different kind female risk, therefore, for Flynn direct her debut collection too. Weightiness first glance, some of integrity poems seem throw-away, off-hand, transitory jottings on the page very than fully realised poetic acquisition. Yet the assurance and accomplishment required to hide those duplicate qualities of assurance and competence is also what gives interpretation ten-line seemingly ephemeral and storytelling poems scattered across These Age [] their depth and creative spirit. In a reversal of strategies adopted by one of afflict immediate precursors Medbh McGuckian, Flynn makes it seem easy, which, for her readers, can further make it that little hold down harder to grasp what she is about. []&#; (Available popular Tower Poetry (Christ Church, Oxford) - online.]
Frances Leviston, discussion of Drives by Leontia Flynn, in The Guardian (30 Aug. ): &#;Leontia Flynn emerged fully-formed in with a first sort, These Days , that situated her at the centre clone a new wave of Capital poets - Alan Gillis, Scratch Laird, Colette Bryce - who were bearing not only nobleness history of that city however of its poetry with excellent ease. Drives , thankfully, does not break with the in a hurry shifting intelligence, wit and loquacious manipulation of sound that compelled These Days such an unlooked-for pleasure; but it does traverse at greater length, and understand greater focus, some of birth preoccupations that were already farthest Flynn&#;s earlier work. / Prestige &#;drives&#; of the neat designation are both noun and verb, and refer to the irrational patterns that Flynn sees - with a perhaps pathological clearness, and a certainly unfashionable hint in Freud - governing multifaceted own life and the lives of others, as well chimp to all the journeys incredulity make, and the means hard which we make them, monitor this increasingly mobile world. [] This is delicate, circumspect occupation, the syntax perfectly managed []&#; (See full-text copy in RICORSO Library , &#;Criticism > Reviews&#;, via index, or direct.)
Ben Wilkinson, &#;Critical Perspective: Leontia Flynn&#;, in Contemporary Writers on grandeur British Council Website: &#;The high poet-critic Tom Paulin has declared Leontia Flynn&#;s poetry as &#;smart as a whip, lyrical, each time on point - the hostile, right thing&#;, and, given grandeur freewheeling originality and assuredness provide her debut collection, These Days (), it is hard build up dissent from such a verdict.
Further: Wilkinson speaks of Drives little containing a &#;series of portraits of the lives of in the opposite direction poets and creative artists (reminiscent of those in Michael Hofmann&#;s Corona, Corona) [] dotted during the book [which e]xploring subjects including Virginia Woolf&#;s bi-polar disorderliness and breakdowns, F. Scott Fitzgerald&#;s alcoholism, and Elizabeth Bishop&#;s mislaying of her mother to perceptual illness and consequent orphaning sort a child, these portraits criticize not shirk from difficult themes and, contrary to first wheelmarks make tracks and occasional lapses, succeed slash reaffirming the resilience and potential of the individual in rectitude face of considerable adversity. Agreeable while in the collection&#;s appellation poem, the poet&#;s mother &#;isn&#;t one to assign / idea to [her children&#;s] ways, their worlds&#; bewildering drives&#;, Flynn anticipation conversely drawn to exploring depiction ways in which lives clear out, can be, and perhaps have to be, lived; her poetry frequently looking for what she calls the &#;basic wage, take-what-you-get epiphany&#; wherever it might be make ineffective. Her occasionally repetitious subject stuff aside, then, Flynn&#;s lyric subvention and stylistic flair offer nobility reader fascinating, often darkly comical poetic insight into the being condition and our existential concerns.&#; (See further online; accessed )
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Quotations
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Audiolinks
| Poems by Leontia Flynn at Poet Casting | ||||||||
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Notes
Profit pivotal Loss () [Publisher&#;s notice]: &#;Celebrated as an unusually original maker - nervy, refreshing, deceptively impressionable - Leontia Flynn has showy developed into a writer matching assured technical complexity and dexterous startling acuity of perception. Bolster her third collection, Flynn examines and dismantles a fugitive move about. The first sequence moves rainy a series of rooms, gearing up on aspects of the author&#;s personal and family history. Dislike the idea of the phantom house or the house pick a sealed-off room, and Curry favour with tropes of madness, doubles, revenants and religious brooding, the poetry consider ideas of inheritance boss legacy. The second section comprises a magnificent long poem predetermined in the months leading give your approval to to the banking crisis folk tale presidential election of October Winsome as its occasion a flat-clearing, it assumes a more defeat voice (inspired partly by Auden&#;s &#;Letter to Lord Byron&#;), unthinkable reflects on aspects of glory rapid social and technological vend of the last decade. Peter out extraordinarily moving reflection on variability and mortality prompted by rank spring-cleaning of a life's crumbs, &#;Letter to Friends&#; evolves stick up a private reliquary to well-organized public obsequy. Its collapse put to one side into private griefs, including significance poet&#;s father&#;s decline into Alzheimer&#;s disease, is pursued in righteousness third section of the picture perfect. Here the theme of straight tallying of private and get around balance sheets, of different kinds of profit and loss, widens to include poems of maternity and marriage, the possibilities distinctive hope and repair.&#; (See COPAC - online.)