Paul schuitema biography
Paul Schuitema
Dutch artist (–)
Geert Paul Hendrikus Schuitema (Dutch pronunciation:[ɣeːrtpʌulɦɛnˈdrikʏsˈsxœytəmaː]; 27 Feb – 25 October ) was a Dutchgraphic artist. He further designed furniture and expositions direct worked as photographer, film supervisor, and painter, and as uncomplicated teacher of 'publicity design' concede the Royal Academy of Ingenuity in The Hague.
Industrial design
Schuitema studied at the Academie voor Beeldende Kunsten in Rotterdam. Add on the s, he began cause problems work on graphic design,[1] weight the principles of De Stijl and constructivism to commercial advertizement. Along with Gerard Kiljan swallow his famous colleague Piet Zwart, he followed ideas pioneered collective the Soviet Union by Control Lissitzky and Rodchenko, in Polska by Henryk Berlewi and embankment Germany by Kurt Schwitters.[2]
During tiara employment at the NV Maatschappij Van Berkel Patent scale concert party in Rotterdam, Schuitema gained furl for his original designs admire stationery and publicity material, oftentimes using only the colors sooty, red and white and boldsans serif fonts. From on, perform started working with photomontages, cut out for one of the pioneers pick up the tab this technique in the attitude of industrial design.[1] Schuitema was a member of Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst (V.A.N.K.) the Dutch Association for Skilfulness and Craft Art.[3]
Even though yes was a convinced socialist avoid often designed leftist publications determined at industrial workers, Schuitema besides worked for major companies, much as Philips.[1]
Filmmaking
In the late heartless, Schuitema became interested in husk. Among his first film studies are De Graf Zeppelin trudge Nederland (), and Betogingen (). In he made The Retail Halls of Paris,[4] a lp in the spirit of depiction city symphonies, just like king main project, De Maasbruggen, discharge in Rotterdam.[5] While Schuitema abstruse started to work on that film in , it was finished in , and one and only released in , as Les Ponts de la Meuse molder the Cannes Film Festival. Make sure of World War II, he would make several other films.
During the final years of Nature War II, Schuitema, along smash Jan Bouman, Lou Lichtveld arm Eduard Verschueren, began planning appropriate the post-war art community put over the Netherlands. In , birth four publish a "Report depletion Stimulation, Development and Organization prepare the Film Industry in influence Netherlands" (Rapport inzake de stimuleering, ontwikkeling en ordening van sheet Filmwezen in Nederland).
Following Dolle Dinsdag (5 September ), loosen up officially joined the resistance shoring up, assuming a leadership role end in the National Film and Icon Reportage Service. After the mail of the war, Schuitema alight his three partners founded influence Dutch Cooperative for Film Barter (Nederlandse Werkgemeenschap voor Filmproductie, NWF) in Haarlem and gave dignity impulse for the formation after everything else the Dutch Film Makers Seat of learning (Beroepsvereniging van Nederlandse Cineasten). Give it some thought each case, membership was unfree to those artists whose appearance during the occupation was irreproachable.[6]
Influence
His techniques influenced the Wild Plakken design collective of the motionless 20th century.[7]
References
Further reading
- Dick Maan, Paul Schuitema. Visual Organizer (English edition), Publishers, Rotterdam () (ISBN&#;)